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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。渔村姑娘菱菱与表哥捕鱼为生。时军阀战争频仍，农村破产，菱菱与表哥被迫流入大城市谋生，同在一家纱厂做工。后来，表哥当了水手，漂泊重洋。菱菱涉世不深，不识城市社会黑暗，受纱厂少东家诱惑，被骗失身，旋又被卖入妓院，过着地狱般的生活。两年以后，已参加革命军的表哥回到上海，遭敌人追捕。在危急关头，菱菱冒死帮助表哥脱逃，自己则被捕处以死刑。天明时分，菱菱被押赴刑场，菱菱知道表哥和无数战士，正努力为受压迫的群众争自由、谋解放、求光明，因此毫无悲哀，含笑就义……。每期节目，一位有家庭空间改造需求的主人公带着他的故事，来到节目组特设的一个设计空间，由主持人和设计师根据他的需求和家庭故事为他或他想制造惊喜的家人对象设计梦想中的“一席之地”。。