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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。剑桥大学数学家，公共风险，生物统计学家等，戴维·斯皮格霍尔特[David Spiegelhalter]教授解释什么是机会，以及它在现实世界所扮演的角色。机会这门科学是数学的一个重要分支，它融合了机智和智慧，动画模型，图形演示，概率的奥秘等等，让我们处理未来可能要发生的事情。你怎么能最大限度地活到100岁？为什么我们很多人会遇到那么多怪异的巧合呢？我该带把伞吗？这些都只是日常生活中碰到问题而已。。